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“Stay ‘unreasonable.’  If you
don’t like the solutions [available to you], come up with your
own.” 
Dan Webre

The Martialist does not
constitute legal advice.  It is for ENTERTAINMENT
PURPOSES ONLY
.

Copyright © 2003-2004 Phil Elmore, all rights
reserved.

Stick to Sword to Knife, Part 2

By Phil
Elmore


GO BACK TO
PAGE ONE

WARNING!
Sticks, swords, and knives are
inherently dangerous.  Do not carry illegal weapons and do not attempt
to use a weapon for self-defense if you are not trained in its use. 
The Martialist
cannot be construed as legal advice.  The staff of
this magazine cannot be held responsible for any misuse of or errors made
with weaponry.

Those basic stickfighting angles translate
directly (with a few minor tweaks) to the use of the sword.  I’m not
talking about Japanese Kendo or Iaido, nor am I referring to Highlander
pseudo-katana fencing.  For best results, you want a
cut-and-thrust-capable sword.  You don’t want one that’s too long,
either.  A Japanese wakizashi would do, I suppose, as will a
machete (though its utility for thrusting is limited at best).  For these
pictures I’ve used the CAS Iberia Banshee sword, which is a cutting sword
based on the Burmese “Da.”  (If at all possible, you want a one-handed
sword.  Two-handed techniques follow the same basic pattern of angles,
with the modifications necessary for occupying the formerly free hand, but the
live hand obviously cannot be used to check.)

As you can see from these pictures, the basic
angles are exactly the same.  There is, perhaps, a little more “English”
on the strikes to take advantage of the cutting power of the blade as it
slices its way through the angles, but that comes naturally in slashing at
your target.

TRANSLATING BASIC ANGLES TO THE SWORD

ANGLE 01: DIAGONAL RIGHT

The basic angle one strike is a diagonal cut across the
opponent’s body, starting at the neck/shoulder area and traveling across
the torso from your right to your left.  It doesn’t get much more
instinctive than this.

This strike includes all logical variations on this diagonal,
upper-to-lower motion.

ANGLE 02: DIAGONAL LEFT

Angle two is the backhand return of angle one, traveling diagonally
from your left to your right from the opposite side of the opponent’s
body.  Again you start from the shoulder/neck area and travel down
with your cut.

This strike includes all logical variations on this diagonal,
upper-to-lower motion.

ANGLE 03: HORIZONTAL RIGHT

Regardless of the level at which this strike travels from your right
to your left, it is essentially horizontal.  (If it becomes too
vertical it becomes an angle one variation.)

The target is the some portion of the opponent’s side, rather than
across his or her torso.

ANGLE 04: HORIZONTAL LEFT

Regardless of the level at which this strike travels from your left
to your right, it is essentially horizontal.  (If it becomes too
vertical it becomes an angle one variation.)

The target is the some portion of the opponent’s side, rather than
across his or her torso.

 

ANGLE 05: STRAIGHT THRUST

Regardless of the angle at which the tip of the sword hits the
opponent’s body, any thrust into the opponent is an angle five strike. 
Follow-up angle fives are withdrawn before each subsequent thrust. 
With the blade, the need for this is evident, as it must be withdrawn
from the opponent’s body.

Thrusts can be performed at any angle and as
backhands.

READY POSITIONS WITH THE SWORD

LOADED (LIVE HAND GUARD)

Any cocked-and-ready position of this type is a “loaded” position. 
We’re assuming that you’re not dueling someone else armed with a blade,
for if that is the case the utility of poking your hand out in front of
your body while keeping your blade behind is questionable at best.

The
two-finger position (forgive my birth-defect, which prompts my fingers
to fold in strange ways at times) is the “finger sword” of Chinese
swordsmanship.  I often use it for my free hand when wielding a
long blade.

FORWARD GUARD

This sensible guard places the weapon between you and the opponent. 
You can, if you wish to try, consciously angle the tip towards the
opponent’s eyes on the theory that this will make your weapon a little
harder to track.  Parries and blocks are easy to perform from this
position, as are thrusts.  Parries and blocks are performed with
the flat of the blade, not the edge.

LOW (ACROSS LOWER BODY)

Those who favor backhand strikes may employ this low guard, in which
the blade (so low it is almost out of the shot here) is held across the body to
be brought up in an angle two or angle four attack.

BASIC BLOCK OR PARRY WITH THE SWORD

HIGH GUARD

The high guard (sometimes called the “high wing”) is a deflection. 
The supporting hand is used to check.  The attack is generally to
the head or neck.  With the sword, the flat of the blade is
used to take the power from the strike.  (I’ve used a picture of
Sifu Anthony Iglesias here because he looks great doing this.)

ANGLE 01 BLOCK & CHECK

Any angle one or angle three can be met with an angle one block and
check.  The body drops for lower strikes.  The utility of
cutting the opponent’s weapon-bearing limb is obvious.

ANGLE 02 BLOCK & CHECK

Any angle two or angle four can be met with an angle two block and
check.  The body drops for lower strikes.  The utility of
cutting the opponent’s weapon-bearing limb is obvious.

Parries to deflect thrusts are performed with the sword in
the same way as for the stick, though the witik motion is slower for
the much heavier blade than it is for the stick.  In training I’ve found
I tend to scoop when parrying with the blade (always using the flat,
not the edge) because the weight of the blade gives it momentum that imparts
an arc to the motion.

At close quarters, underhand techniques with the cutting
sword become an option.  I don’t focus on these much except for sneaky
underhanded slashes across the opponent’s body.


The sword, held underhand and behind the body, can be
whipped forward
and out in a slashing motion across the opponent’s body.

THE KNIFE

Now that we’ve spent all that time inundating
you with pictures of me killing the photographer over and over again, let’s be
honest.  You’re not likely to be carrying a rattan stick around with you
(though you might find an expedient weapon in your environment that can be
used like one).  You’re also extremely unlikely to be toting a sword
unless you’ve watched
Highlander
a few too many times.  You can, however, carry a tactical folding
knife very easily.  The knife shown in these photos is a Cold Steel
“Night Force.”


I can’t carry a sword easily, but I have a knife.

Obviously, with something as small as a knife
compared to sticks or swords, the angles and the arcs they travel become much,
much smaller and tighter.  Thrusts are not pronounced;  they are
short, vicious pumping movements.  While angled cuts to the attacker’s
limbs can be used to meet attacks, they do little in the way of blocking or
shielding.  Instead, they are “defang the snake” cuts — slices to the
weapon-bearing limb intended to damage it.


Forward and backhand slashes are angle ones and angle
twos. 


Horizontal cuts are angle threes and angle fours.


All motions are tight.  Thrusts
are vicious and repetitive.

Reverse-grip knife fighting bears some
resemblance to the underhand sword techniques to which I referred earlier, but
the shorter weapon opens up many more options.  The reverse-grip stab
downward becomes a very viable option in close quarters, for example. 
There are hooking and trapping techniques that can be used with the reverse
grip, too.


Reverse-grip knife fighting is a topic unto itself.

As far as “ready positions” with the knife go, that’s up to
you.  In general it’s better if your opponent doesn’t know you have a
knife until it’s too late for him to do anything about it.  There are
exceptions, though, including drawing your knife while warding off an
approaching individual in the hope of deterring that person.  (You can
never count on brandishing a knife to be a deterrent.)  Your “knife
stance” will be a function of your training.  (Don’t let me catch you
holding a knife over your head like some kind of fool.)

BRINGING IT ALL TOGETHER

I don’t doubt that there are countless devotees of various
intricate systems out there thinking about the ways they approach these
weapons differently.  I imagine they are enumerating various exceptions
to the general principles I’ve stated here, or writhing at the thought of
using a knife like a stick or a sword.  The point, however, is that all
three of these weapons can be employed according to the general principles
they share.

There is no need to
complicate the issue further when the basics of one are the basics of another.

GO BACK TO
PAGE ONE

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